Showing posts with label art. Show all posts
Showing posts with label art. Show all posts

Tuesday, June 17, 2014

Featured wire jewelry designer: Anna Cordner from Noria Jewelry


Welcome to a unique and fantastic world of intricate and at the same time very detailed and delicate statement wire wrapped jewelry. The world of Anna Cordner, the owner of Noria Jewelry. She runs her shop from her home studio in northern Virginia. Anna opened her shop in April of 2009.

“My mother’s father is a geologist and lapidary, my dad made jewelry when I was young and my mother involved me in her many arts and crafts projects. 
I always had a keen interest in rocks as a child and my grandfather’s knowledge and enthusiasm fueled this interest. 
The crafting and creative atmosphere my parents provided for me led to a talent in drawing. As a youth I made jewelry from beads I made from polymer clay, strung glass beads on necklaces and learned to use needle nose pliers to open and close jump rings.
Making jewelry was a very natural, easy and fun activity but it wasn’t until after the birth of my first son that I considered selling jewelry. I found I needed to seriously undertake a creative outlet to help me adjust to motherhood but to justify the cost of buying supplies, selling my creations had to be a part of the equation."

"I started out making beaded bracelets. 
Then one day I was on the internet and stumbled upon another artist’s wire wrapped jewelry. I had never seen advanced wire wrapping techniques and was highly intrigued. 
I researched wire wrapping online and decided to venture beyond beading. 
Through much trial, error and experimentation I began to understand and eventually gain a command of wire wrapping. 
My long-forgotten drawing skills have been put to use drafting sketches and designing new pieces."

“It is the continuous experimentation and learning that I find so enjoyable, besides pouring my mind’s fanciful wishes and artistic fantasies into something tangible.”

Can you describe the steps you take in designing and creating a piece?
“I start with a sketch. I know some designers prefer to create more organically but I rely on having a precise roadmap for my pieces. 
I can recreate them almost exactly if I have my sketch. 
Generally, I begin with a base shape of wire then embellish with ‘supporting’ detail flourishes. Other times the stones primarily determine the design.” 

What inspires you?
“I find inspiration from Indian mehndi and henna and their use of bold colors. 
I also find much inspiration in the vast elements of Victorian and Edwardian styles, particularly the floral motifs and filigree lines. 
Stones are inspiration to me, from the rough and uncut specimens to sparkling gemstones. 
Lastly, nature is a great source of inspiration. Sometimes when I find myself at a creative roadblock, I look at various types of flowers, finding patterns or color and delicate lines to help me along in generating my own designs.”

What inspires you?
“I find inspiration from Indian mehndi and henna and their use of bold colors. 
I also find much inspiration in the vast elements of Victorian and Edwardian styles, particularly the floral motifs and filigree lines. 
Stones are inspiration to me, from the rough and uncut specimens to sparkling gemstones. 
Lastly, nature is a great source of inspiration. Sometimes when I find myself at a creative roadblock, I look at various types of flowers, finding patterns or color and delicate lines to help me along in generating my own designs.”

Tuesday, May 27, 2014

Featured designer: Sarah Thompson - Sarah n'Dippity Designs



Sarah Thompson lives in Spokane Valley, Washington. She is a 31 years old and she has been interested in making jewelry since she was 14. “Jewelry became my quiet way of expressing myself. Soon after high school I met my husband and within 6 months we were married, it will be 13 years in March. We ended up having 5 kids pretty close together. 

Having kids has brought a new depth of patience to my work.  I have learned to not get frustrated if the design is not working out as I would have it or if I just made a mistake. I have learned that I cannot force my work, that if I step back and let the design grow and evolve from the original idea the end result it is far better.   
My workshop consists of a secretary desk next to the dining room table. It would be nice to have my own space but I think I would also miss having the family around me as I work.”

Sarah is a self taught jewelry makes. She has not had any formal training. Instead, she has learnt everything she does today through trial and error or through books and magazines.
  “My parents have always been very good at encouraging me to explore my creative side.  As a family we were always recycling old and used things to make into new accessories.  If we wanted to learn a new skill there was always the library.  My mother was always taking us and we would spend hours going through the books discovering new creativity.  The passion for jewelry came when I was 14.  After that the local bead store became a constant for me as well as I dove into bead books and explored the multitudes of beads.”

“Designing begins with a stone.  I then sketch the design out around the chosen stone.  Sometimes I sketch out a few ideas before I begin working.  This sketch then becomes my blue print to get started.”

Sometimes the finished piece looks really close to the design.  Other times as I work new ideas emerge, or I find that the wire wants to bend in a different way.  Slowly as I work the design grows and becomes more than I had originally envisioned.  

A while ago, I almost gave up wire working. I could see what I wanted to create in my mind, but I couldn’t seem to bring it into reality. I realized that I was trying to do it all in one step and that I needed to use a layering process to achieve my imagined multi-dimensional designs. 

In my beadwork I often used a layering process, going back over the work many times to build a dimensional piece. I learned to apply this same concept to the wire work. I started using the wire-weave like a beaded peyote stitch, which creates a foundation that I can then build upon.
A few years ago I was at a pivotal point in my life. I had just given birth to our fifth child and I was trying to decide if I wanted to continue the dream I had started the year before in turning my hobby of jewelry making into a business.
“The year before had not been successful due to the economy crashing and I wasn’t sure my business was even feasible any more. While looking over my inventory I noticed an old discarded wire project, for years I had unsuccessfully tried to create a specific vision I had using wire. 

While looking at this unfinished piece an idea came to me. That night I sat down and made my first finished wire pendant. I was so excited, finally success after 5 years of trying. That pendant led to another then another. With each new design more ideas would emerge with what I could do with the wire. 

Within a couple of months I had enough to try out this new wirework at the local fairs. It was an instant hit.

While my other beaded jewelry didn’t sell, my wire work did. The week after my last show my first pendant was posted on Etsy, followed quickly by my first sale. While it is not easy juggling family life with running a business and I am up way too late working, it has all been worth it.”

“I have began teaching two years ago and am really enjoying it.  Currently I teach at Fusion Beads in Seattle Washington, and Beyond Beads in Spokane Washington.  As my kids get older I hope to be able to travel more.”

What are the steps you take in creating a new pieces?

“I sketch out the basic elements of my designs first. This allows me to engineer the primary structure and shape, and to plan where to make connections and place the focal stones. 
The drawings help me visualize where I want wires to start and stop, and what wires and weaves I want in the back versus the front. I use my drawings to get started, but from there I allow inspiration to take over.”

“As I am working on a piece, I find that new ideas will emerge or that the wire wants to bend a certain way, so I deviate from my original plans and allow the piece to evolve. I don’t fight this. Some of my favorite designs were products of happy accidents. 

Most of the layered work in my designs is freeform, and is added one wire at a time until I feel that the composition is balanced and complete. The finished result is often more beautiful than I imagined.”
What inspires you?

“I love Celtic designs, and fantasy/ sci-fi art work.  But I also find  inspiration in classical work as well.  I don’t seek out inspiration but feel that I have been inspired all my life.  That everything that I have seen has come together into the designs you see.”











Text: Sandra Kemppainen, Sarah Thompson 
Photos: Sarah Thompson from Sarah n'Dippity Designs


Tuesday, April 29, 2014

Featured designer: Andreas Schiffler The German designer living in Spain



When I found myself browsing Andreas’s shop, I was immediately drawn to the beautiful and very modern looking designs of his jewelry.
His high quality designs reflect an imaginative mind and talented craftsmanship. I like the way he combines shiny with matt, straight lines with circles, gold with silver. His jewelry is classy and yet so modern.

- Tell me about who you are and where you live, where you studied, where your shop is, your workshop etc.
Andreas: “I am a German self-made jeweller with a part time life between Barcelona and Formentera; in both places a workshop, in both places a part of my heart.
I came to Spain in 1993 looking for new horizons after studying Metal Processing and Plasterer in Germany, and in Formentera I started to experiment with techniques and materials and I came into contact with a craftsman’s world.
I’ve learned Jewellery on my own with freedom and patience, always in direct contact and feedback with my clients.”

- How did you discover your passion and get started with it?
“Mother Nature gave me the first inspiration to create jewels with little things found in the forest and the sea, and the studies with industrial metal production, the technical support to develop my creativity. I remember that my first vocation test gave as a result I had skill for this.
So I guess it’s been really like developing who you really are, on one side.”

- Do you have a favourite material you work with? If yes, why?
“Silver and stones have been the main materials in my work. Silver, the noble humble metal, stones: the ancient earth tresors … I truly don’t know, can create a poem for you about this perhaps, but the fact is that I choose materials among my reach in a very intuitive way. Reason is not always working in the process.


- Could you describe the steps you take in designing and creating a piece?

“Well, I work with ideas, but my items are created in action, they are created at the working table. There’s a famous saying attributed to Picasso that goes something like “inspiration does exist and sometimes comes, but you’d better be at your workshop”. And I am very pragmatic, I don’t theorise.


- How does the place where you live influence your work?
“The place where I live influences my work the same way as the places I visit when I travel. Everything around me influences my work. I’m not particularly conscious of any special aspect. Let’s allow psychologists do their work, I prefer mine.”

- Which is your favourite ever item you created?
“That is hard to say, I have many favourite items that represent different moments along the last 20 years…”


- Who is your favourite designer and why?
“My favourite designer is nature, ever surprising, simple elements, functional, beautiful, endless combinations, cruel, tender, wise; everything.
A remarkable characteristic of my self-made condition is that I never paid much attention to the work of designers, especially during the first 10 or 15 years of my career. But if you want a name, one comes to my mind now:  Michael Zobel, because of the way he uses and combines materials.”





“I have two workshops, one in Barcelona at La Casa de la Espiral, calle Asturias 78 Barcelona inside the Gracia neighbourhood; and another one in Formentera, where I work between June and September, selling my production at the Handicraft Market of La Mola.”











You can find Andreas’s creations also online: 







Text: Sandra Kemppainen, photos: Andreas Schiffler

Saturday, April 26, 2014

Why we love, want and need jewelry!


Diamonds, Pearls, Gold,
Silver, Corals, Gemstones,
Opals, Beads, Shells....
we want them all! Why?
Adorning oneself with
jewelry has been and will be
across cultures, religions, time,
gender and class.
Cleopatra, Josephine Baker,
MataHari,Elizabeth Taylor just to name
a few indulged in precious gems and stones
daily and today a piece of jewelry can not only show your personality, your social status but also your style!
Are you bold, a minimalist, do you like to show off, elegant, classic, do you like to have fun with it?
We humans have a need for jewelry, simply because it makes us unique, and special.
Call it a social need if you like or simply cal it: ‘I like it, it’s beautiful - it will go great with my outfit!’
Can we say that it’s part of us? My answer is, Yes! We make it part of us! It can also be a piece that brings you closer to missed relatives, it can also be something you pass on.
Shinny stones and metals are symbols of life, past, future, death, birth, wealth, etc...
Why do you love, want and need jewelry?

Lorena Balea-Raitz

Accessories Featured Designer: Maren from Sai Sai Arts




Text: Sandra Kemppainen; photos: Josh Austin, Amber Beckham; Styling/Clothing: Vicious Threads
photo: Josh Austin; Styling/Clothing: Vicious Threads; model: Emily Michele Sapp









For the special accessories feature of the first issue, I decided to choose SaiSaiArts, a beautiful shop on Etsy featuring hair fascinators, hats, brooches, all in amazing soft and vivid colors. The designer Maren has agreed to answer the questions of my interview.

“Tell me about who you are and where you live, where your shop is, your workshop, who creates the accessories.”

“My name is Maren Linn and I currently live in Nashville, TN. I make all of my products and I have a little work area in my bedroom. I sell some things at a little shop here in Nashville called Local Honey, otherwise I focus my efforts on Etsy.”

“Do you have a favorite material you work with? If yes, which one is it and why?”

"I would have to say feathers. I love feathers. They’re naturally gorgeous and I love the texture. I do also get inspired by pretty ribbons, vintage costume jewelry, and luscious silk flowers.”

“What do you feel influences your designs?”

“I think I am mostly influenced by the materials I find. I find some pretty things and then I play around with them until I put something cool together. I am also inspired by art, clothing and accessories, historical fashions, architectural motifs, interior design, gardens, and really anything pretty.”

photos: Josh Austin; Styling/Clothing: Vicious Threads; model: Emily Michele Sapp
Design Jewelry and accessories magazine - 39
40 - Design Jewelry and accessories magazine

“Which is your favorite ever item you created?” 

“Hmm, favorite pieces. It might be tied. Piece one is a one of a kind cocktail hat that I hand stitched iridescent mallard feathers onto in a fan shape. The colors change from purple to blue to green depending on the light. I accented it with a sad little vintage clip on earring that lost its mate and now has new life. I’m also a fan of a feathered headdress that I made with painstaikingly curled pheasant feathers called “Phoenix.” “





"What is your dream for your brand for the future?”

“My brand is undergoing a lot of changes at the moment. I’ve started angling towards fancier, more highly crafted pieces. In March I’m going to London for some more formal millinery training at the London College of Fashion, and I’m very excited to see where my new skill set is going to take me.”